Religion and capitalism collide in this sharp, jazz-infused musical satire by Kurt Weill, Bertolt Brecht, and Elisabeth Hauptmann. Banned after just two performances in 1929 Berlin, Happy End is a satire of big business and big religion set in a smoky speakeasy where gangsters do deals, and the Salvation Army saves souls. With an unforgettable score that includes “Bilbao Song,” “Mandalay Song,” and “Surabaya Johnny,” Happy End blazes with wit, grit, and dark glamour.